Archive for the ‘Research’ Category
Reclamation is currently located in Hoorn for a residency at Hotel MariaKapel, an art organization housed inside a Medieval chapel at Korte Achterstraat 2A. Hotel MariaKapel seeks to foster art projects that are ‘experimental’ and ‘context-based’. So, Reclamation wants to know if you would like to participate in art. Either way, you already have! Thank you very much.
As the old saw goes, there is no such thing as bad publicity, and the Koons exhibition, organized under the directorship of Jean-Jacques Aillagon, the museum’s president, brought much that was useful to any cultural institution these days: attention and visitors. After a show last year by the French artist Xavier Veilhan, the next “guest,” starting in mid-September and running through mid-December, will be Takashi Murakami, a highly successful Japanese artist known among other things for his Manga-inspired works. The intention is to turn this into an annual event, alternating French and foreign artists. Mr. Aillagon is also planning to install some modern artistic chandeliers to replace mock-old lighting and various other decorative touches to what he sees as the more lugubrious parts of the château, as well as giving parts of the famous grounds some more recent touches. Contemporary gardeners!
The visiting contemporary art will predictably leave some people completely indifferent — after all, we are no longer necessarily surprised by unusual art turning up all over the place — and others very happy, or spluttering with rage over a “desecration” of the cultural past. This is of course the whole point of the game of contemporary art that goes Boum. We can be pretty sure that neither Mr. Koons nor Mr. Murakami shed any tears on the way to the bank no matter what is said about their work….
i once did a performance in which i convinced people to destroy some ‘work’ i was ‘presenting’ to them. imagine a crit but the student being critiqued breaks down in tears and passes around her various crappy creations begging her classmates to crush them. i pressured my peers to rip to shreds hand drawn animation stills i had spent hours and hours creating (i really can’t draw). i even got a few people to smash some little sculptures of birds that i had made (i really can’t sculpt). i had made the animation for a class, but i loved it. i was quite proud of the drawings and grew very attached to them over the many months they took me to make. the birds i had crafted from some easy bake clay the night before. watching the kids in my class destroy everything was really fun. one girl cried and left the room, and some people refused to participate- but a few of them had a ball! really let loose… at the start of the next lecture, our professor told them that they had all been a part of the ‘artwork’ that i now needed to present for crit. the girl who had left told me that i had manipulated and brutalized her then dropped the class. most people seemed surprised but unenthused. one girl asked what ‘performance art’ was. another girl became my new best friend. that was the first and last time i realized an idea just as i’d hoped to …
anyway, i’ve been thinking of how precious all our installations have been and how fragile. i’ve been thinking of all the times we have had to ‘fix’ or ‘secure’ or ‘reinforce’ … those activities are not nearly as fun as breaking! i poked around on the internet, looking at artworks and performances and products that defy or invite breaking. i often break stuff so stuff that’s made to be broken could be quite convenient for me…
i think this thing is a bit over-designed (and over-priced!) but i like the idea behind it, the fact that it comes with its own pick axe, and that it reminds me of our planetarium projector.maybe we could be more open to breaking this time. we don’t have to require it or pressure people to do it but we could keep it in mind as a (not-necessarily-negative) possibility. i mean, we use broken things all the time. and the things we make break. maybe i’m just lazy and tired of fixing (not that i’ve done even half the fixing!) … maybe i just want a new way to break or a new way to make the break a part of the process … and not a part we have to deny, disguise, cover up or correct.
in thinking about beauty and/in reuse, this article by Kathleen Masterson via npr: